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Netflix's new shark thriller Thrash is more fun than scary

Phoebe Dynevor stars in a pulpy, over-the-top disaster flick that doesn't take itself too seriously

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Zwely News Staff

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April 10, 2026 10:19 AM 3 min read
Netflix's new shark thriller Thrash is more fun than scary

At a glance

What matters most

  • Thrash is a shark-attack thriller set during a climate-fueled storm, starring Phoebe Dynevor and Djimon Hounsou
  • Critics agree the film moves quickly but lacks tension, with some calling it a forgettable genre retread
  • The movie has a campy, over-the-top style that some reviewers find fun, even if it's not scary
  • Originally developed under different titles and distributors, the film eventually landed at Netflix

Across the spectrum

What people are saying

A quick look at how the same story is being framed from different angles.

On the Left

Thrash wastes a chance to say something meaningful about climate disaster, leaning instead on tired tropes and exploitative thrills. Phoebe Dynevor's performance is strong, but the film undermines her with a script that prioritizes shock over substance.

In the Center

Thrash isn't great, but it knows what it is-a fast, silly disaster thriller with a few memorable moments. It's not scary or original, but it doesn't overstay its welcome, and that counts for something in the streaming age.

On the Right

It's just a shark movie-no need to overthink it. Thrash delivers action and entertainment without pretending to be highbrow. Audiences looking for a fun, pulse-pounding ride will get their money's worth.

Full coverage

What you should know

Netflix's new shark thriller Thrash doesn't pretend to be high art. Set during a catastrophic storm that floods a coastal town, the film throws Phoebe Dynevor into rising waters teeming with apex predators. Directed by Tommy Wirkola, known for genre-bending fare like Dead Snow, the movie leans hard into its ridiculous premise-sharks in the streets, last-minute escapes, and one particularly wild childbirth sequence in floodwater. It's not subtle, but it doesn't really aim to be.

The plot follows Dynevor as a pregnant woman separated from her partner during a hurricane evacuation. Stranded with a small group that includes Djimon Hounsou and Whitney Peak, she must survive both the storm and the increasingly aggressive sharks that have ignored nature's usual boundaries. The film leans into climate disaster themes, though not deeply-its focus stays on survival, chaos, and the next big set piece.

Reactions have been mixed. Polygon called it a brisk, efficient thriller that feels like a sequel brainstorm for better shark films like Crawl. The Hollywood Reporter described it as preposterous but enjoyable pulp, praising Dynevor's commitment to the madness. But The Guardian was harsher, calling the film a suspense-free dud that never generates real tension, despite its high stakes.

Part of Thrash's baggage comes from its rocky path to release. The film cycled through multiple distributors and went by at least two other titles before Netflix picked it up. That history shows-there's a sense of identity drift, as if the filmmakers weren't sure whether to go full camp or play it straight. The result hovers awkwardly between horror, disaster drama, and B-movie fun.

Still, there's something to be said for a movie that doesn't waste time. Thrash moves fast, rarely pausing to explain why sharks are swimming through suburban living rooms. It's the kind of film that treats a labor scene in shark-infested water as just another obstacle, not a tonal breaking point. Dynevor sells the intensity, even when the script veers into the absurd.

For viewers looking for genuine scares or smart commentary on climate change, Thrash will likely disappoint. But if you're in the mood for something loud, fast, and unapologetically silly, it might hit the spot. It's less a shark movie and more a disaster carnival with sharks as one of many hazards.

Ultimately, Thrash won't redefine the genre or linger in memory. But in the crowded world of streaming thrillers, sometimes just being watchable is enough. And for a Friday night with the lights low and the logic turned off, it might just do the job.

About this author

Zwely News Staff compiles multi-source reporting into concise, viewpoint-aware coverage for readers who want context without noise.

Source Notes

Left Polygon Apr 10, 7:01 AM

Netflix's new shark thriller Thrash is more fun than scary

The shark-attack movie Thrash feels like a brainstorming session for sequels to the superior Crawl, but at least it moves quickly and efficiently.

Left The Guardian Culture Apr 10, 7:01 AM

Thrash review – cursed shark thriller sinks like a stone on Netflix

Phoebe Dynevor and Djimon Hounsou are left adrift in a suspense-free dud that has cycled through two distributors and three titlesDue to the sheer amount of money Netflix has to play with (last year it spent around $18bn on content) and the...

Center Hollywood Reporter Apr 10, 7:01 AM

‘Thrash’ Review: Phoebe Dynevor Gives Birth in Floodwaters Teeming With Sharks in Preposterous but Enjoyable Netflix Pulp

Apex predators ignore the evacuation order in Tommy Wirkola’s climate change disaster thriller, also starring Whitney Peak and Djimon Hounsou.

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